The current blues scene in the U.S. and Europe is characterized
by a wide variety of styles and musicians. However, as
the years go passing by there are fewer and fewer artists
left that were active during the formative years of blues
music, those who participated in the development of the
music.
Thus, it is all the more important and cause for celebration
that there are still artists such as Louisiana Red.
Louisiana Red has lived the Blues. And Louisiana
Red not only plays the Blues, he lives it through his guitar
and his singing.
Strongly influenced
by Muddy Waters, Lightnin‘ Hopkins
and Arthur Crudup, he has long ago found his own voice,
his own style, his own form of expression.
When Red performs, the songs are often only launching
pad for expressing his immediate feelings in the almost
lost tradition of spontaneous composition that goes back
to the original Delta Blues artists an even further to
the West-African griot bards.
In a career spanning over half a century, Louisiana Red
has played with just about every major bluesman you can
name, some of the most memorable encounters being his jams
with B.B.King and Muddy Waters.
But it doesn’t matter who he plays with or where
he appears - Louisiana Red brings the same intensitiy
and enthusiasm to every stage he appears on, whether in
front of 10,000 people at a festival or 100 people in an
intimate club.
Louisiana Red’s albums have been called masterpieces
by critics, and in 1983 he won a W.C.
Handy Award as best
traditional blues artist. After living in Germany for 20
years, he has made a several triumphant comeback tours
in the United States.
But if you ask Red about it, he won’t tell you much
about his success. He’ll much rather talk about his
latest CD project, about a new song or a new guitar lick.
Because Louisiana Red is constantly creating, always searching
für another expression of his blues.
For once, the
hyperbole ist justified: Louisiana Red is the Blues
Stormy monday band & Louisiana Red meet
CAREY BELL,PRETTY
WOMAN (1991)
Louisiana Red and the Chicago All Stars,
ASHLAND AVENUE BLUES (1992)
THE
RISING SUN COLLECTION (1994)
DEAD
STRAY DOG (1994)
SITTIN'
HERE WONDERIN (1995)
MILLENIUM
BLUES (1999)
THE
WINTER and SUMMER SESSIONS (2000)
NO
TURN ON RED (2005)
LIVE
AT PAINTED SKY (2006)
BACK
TO THE BLACK BAYOU (2008)
Bluestown Records
These recordings were
done during the course of the world renowned INTERNATIONAL
NOTODDEN BLUES FESTIVAL during the last days of
July and the first days of August 2008 with the
collaborations of Kim
Wilson, Bob Corritore, Dave Maxwell, Reidar Larsen
e Little Victor's Juke Joint.
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