Kenny Neal
from Baton Rouge, Louisiana











From the swamps of Baton Rouge, Louisiana - A Legend in the making!

Let Life Flow marks the return of multi-instrumentalist and modern swamp-blues master Kenny Neal, with an inspired set that draws musically from the sizzling sounds of his native Louisiana, while striking a deep, emotional resonance in response to the personal trials he has recently endured.
For the past few years, health problems forced Kenny away from the studio and touring, and his first release since signing with Blind Pig Records finds him returning with a renewed vigor and outlook on life.
Scott Cable, who has recently found critical acclaim for his work on Nappy Brown’s Long Time Coming, co-produced the album along with Neal and his son, Kenny, Junior.

Recorded in West Columbia, SC, Let Life Flow reflects his optimistic sense of perseverance, set to the soulful grooves that have garnered him a solid fan base over the past 20 years.

Neal, born and raised in Baton Rouge, began playing music at a very young age, learning the basics from his father, singer and blues harmonica player, Raful Neal. Family friends like Lazy Lester, Buddy Guy and Slim Harpo also contributed to Kenny’s early musical education.
In fact, it was Harpo who gave the crying three-year-old a harmonica to pacify him. Kenny stopped crying that day, and eventually learned to play the harmonica. Along the way, he also mastered the bass, trumpet, piano and guitar.
At 13, he joined his father’s band and began paying his musical dues. Four years later, he was recruited and toured extensively as Buddy Guy’s bass player.

Following Buddy's advice to concentrate on his guitar playing, Kenny relocated to Toronto, and along with his brothers Raful, Jr., Noel, Larry and Ronnie - formed the Neal Brothers Band, honing his chops backing up visiting blues stars.
Through the years, he has shared the stage or worked with a who’s-who list of blues and R& B greats at one time or another, including B.B. King, Bonnie Raitt, Muddy Waters, Aaron Neville, Buddy Guy and John Lee Hooker. Later, he fronted Canada's Downchild Blues Band, before returning to Baton Rouge to begin his solo career.

Signing with Alligator Records in 1988, Kenny began releasing a series of consistently lauded albums featuring his laid-back, Baton Rouge blues, with a modern spin on the Louisiana sound he grew up with. Throughout this period, Kenny distinguished himself as one of the brightest prospects of the contemporary blues scene, receiving great critical acclaim in the process.
The Chicago Tribune pegged Kenny as “one of a mere handful of truly inventive young contemporary guitarists, Neal has something fresh to say and the chops with which to say it,” while AllMusic said his “gruff-before-their-time vocals retain their swamp sensibility, while assuming a bright contemporary feel that tabs him as a leading contender for future blues stardom.Blues Revue agreed, calling Kenny "one of the brightest young stars on the blues horizon, and a gifted artist."

In 1991, Kenny branched out into the world of acting when he starred as the lead in the much-acclaimed musical,
Mule Bone, a lost play written by the famed African-American poet Langston Hughes and folklorist Zora Neale Hurston in 1930.
Featuring music written by Taj Mahal, Kenny’s performances garnered a prestigious Theater World Award for “The Most Outstanding New Talent On and Off Broadway,” and he concurrently set two Hughes poems to music on the album Walking With Fire.

After his impressive run with Alligator, Kenny switched to Telarc, and continued to release albums highlighting his developing skills as a songwriter, as well as interpreting songs from musicians as diverse as Bob Dylan, John Hiatt, and Nick Lowe.
His 2004 release with Billy Branch,
Double Take, garnered Kenny a W.C. Handy award for Best Album. More recently, Kenny released A Tribute to Slim Harpo and Raful Neal, which pays homage to blues harp icon Harpo as well as Kenny’s father, who passed away as the album was being completed.

After relocating to the Bay Area in 2004, Kenny began hosting his own local cable TV program, “Neal’s Place.” The show features Kenny jamming and talking with the many international blues stars he has met and performed with, as well as local artists he has spotted at festivals and clubs. Filmed in front of a live studio audience, “Neal’s Place” has a relaxed, informal atmosphere that brings out the best in the artists, while giving an unscripted, improvisational edge to the performances.

Commenting on his recent return to recording and performing with
Let Life Flow, Kenny said: “With all the tragedy and darkness I’ve been through in the past three years, I’m finally seeing the light. I’ve been waiting for a long time for a record company to say ‘Make a record that you feel good about.’ Blind Pig Records gave me that opportunity. And my new CD, Let Life Flow, is coming straight from my heart. Hope everyone enjoys it.
Co-producer Scott Cable added: “I am glad to work with an artist like Kenny who has weathered some very hard times and trying periods. He came through these times with a newfound focus and sense of purpose that comes across clearly here. Kenny has always been a major talent and I feel proud to be working side by side with him on this project.”

Kenny’s determination shines through on Let Life Flow, as heard on the uplifting title track, the stirring ballad “
Hurt Before You Heal,” and the Latin-tinged grooves that drive the socially conscious “Can’t Make Peace,” while “Fly Away” offers spiritual yearning set to a smooth urban blues. Elsewhere, Kenny reminisces about his home state on the funky “Louisiana Stew,” showcases his harmonica prowess on the easy-going “Starlight Diamonds,” and lays down gritty guitar work combined with punchy horns on “Blues Leave Me Alone” and “Another Man’s Cologne.
Whether performing songs of soulful catharsis or hip-shaking celebration, Let Life Flow announces Kenny Neal’s return with an album that pays tribute to his diverse influences, while injecting a heartfelt sentiment born of the real-life, human struggles that any listener can relate to.

Kenny was able to return to the scene and the stage with a new vigor and outlook on life. With these, he entered the studio to whip up the good time gumbo of Hooked On Your Love.
The new album casts that potent Neal spell of deep grooves and deep feelings that put him where he is today. With tunes like swampy Louisiana look-back "
Down In The Swamp", the funky shuffle of Memphis in his take on "Blind Crippled Or Crazy," or the soul searching blues of "Bitter With The Sweet," Hooked On Your Love extends the spirit of his acclaimed Let Life Flow.


official website: www.kennyneal.net


Line-up:
Kenny Neal - guitar, harp, lead vocal
Bryan Morris - drums
Tyree Neal - keyboards
Frederick Neal - keyboards
Darnell Neal - bass



Discography


 


DEVIL CHILD
(1989)
By Alligator Records


The rising son of Baton Rouge blues delivers a hell-raising dose of Deep South blues on both guitar and harmonica. "Rough and ready young blues barnstormer who solos up a storm"--BOSTON GLOBE


 

BIG NEWS from BATON ROUGE!
(1990)
By Alligator Records

Son of Louisiana bluesman Raful Neal, Kenny's a triple threat on guitar, harmonica and vocals. "Undeniably contemporary, authentic young bluesman just bursting with ideas"--BLUES & RHYTHM


 

WALKIN' ON FIRE (1991)
By Alligator Records


The young blues firebrand's most varied album. "One of the brightest young stars on the blues horizon...a gifted artist"--LIVING BLUES

As a tribute to Hughes, Kenny has set two Hughes poems to music for Walking On Fire. On these songs, Kenny played both harmonica and acoustic guitar. For the remainder of the album, Kenny was joined by some of the finest players in the blues and R&B realm. He's accompanied on most of the tunes by the famed rhythm team, Silent Partners. The horns are played by the legendary veterans of the James Brown Orchestra, the Horny Horns: Fred Wesley on trombone and Maceo Parkeron alto sax. Fred and Maceo are joined by members of the King Snake Horns and Kenny's touring horn player, Danny Fields. As on Kenny's previous albums, all the keyboards are played by Kenny's label mate, the amazing Lucky Peterson.


 
BAYOU BLOOD
(1992)
By Alligator Records


 

HOODOO MOON
(1994)
By Alligator Records

Deep South blues (with a touch of R&B). One of the top young bluesmen in the world. "Raucous, sweaty barrelhouse blues...explosive guitar...one of the best of the new generation of blues"--CD REVIEW


 

DELUXE EDITION
(1997)
By Alligator Records

Over 60 minutes from the young champion of Louisiana blues guitar and harmonica. Includes "Caught In The Jaws Of A Vice," "Outside Looking In," and "Hoodoo Moon;" remastered in 20-bit audio. With never-before-seen photos & special mini poster.


 

BLUES FALLIN' DOWN like RAIN
(1998)
By Telarc

Kenny Neal is an evolving young blues artist at the top of his game. For his debut release on Telarc, Kenny goes back to the source and presents his interpretations of some classics in addition to soulful contemporary blues tunes.


 

WHAT YOU GOT
(2000)
By Telarc

"Neal's deft electric and lap-steel solo guitar work would be enough to set him apart as a blues player. Adding Neal's equally strong songwriting skills, his big, rich, hearty vocals and his classic harmonica riffs to his guitar playing puts Neal into a select class of "quadruple threat" bluesmen. His musicianship has a genuine quality the likes of which no marketing wizard can contrive." Blues Access

His third Telarc recording, What You Got, set for release on April 25, is a mix of his own tunes and blues standards, with horns on three tracks ("Little Brother," "I'm the Man Your Mama Told You About," and the title track). Produced by Randy Labbe, What You Got pushes the boundaries with Neal's own swamp-shuffle originals "I Smell Smoke," "Blues Ain't Nothing But a Good Man Feeling Bad," "Déjà Vu," and "Neal and Pray." The supporting band features the terrific piano and organ work of Anthony Geraci, while Marshall DeMott provides tasty saxophone fills. Veteran Kennard Johnson on drums and Kenny's sibling Noel on bass head up the rhythm section.


 

ONE STEP CLOSER
(2001)
By Telarc

Tackling a wider range of material than ever before, Neal manages to put his signature on all twelve songs.

On One Step Closer, Kenny conjures up Louisiana's rich, musical traditions and steers them in imaginative, new directions.

Tackling a wider range of material than ever before, Neal manages to put his signature on all twelve songs. One Step Closer includes soulful renditions of Bob Dylan's "Walk out in the Rain," Nick Lowe's "High on a Hilltop," John Hiatt's "Lover's Will," and Colin Linden's "Hidden in Plain Sight" and "Remedy." Not only is the guitarist/singer/harmonica player one of the most consistent talents in contemporary blues, Neal is also a seasoned songwriter. His talents shine brightest on richly textured originals "Backdoor Tipper," "No More One More Chance," "Whiskey Tears" and "She Ain't Happy Unless She's Sad." Helping support the groove on One Step Closer are Denny Breau, rhythm guitar; Mary Jo Carlsen, violin; Andrea Re, backup vocals and percussion; Jason Ward, baritone saxophone; T-Bone Wolk, bass, mandolin and accordion; and Darren Thiboutot, drums.

Neal's fourth Telarc recording comes on the heels of 2000's What You Got (CD-83467) and 1999's exceptional Homesick for the Road (with Tab Benoit and Debbie Davies, CD-83454). His 1998 Telarc debut, Blues Fallin' Down Like Rain (enhanced CD-83435), was a mix of classic standards and original material. Although most blues insiders agree that Kenny Neal came into his own a long time ago, One Step Closer proves the man from Baton Rouge is just getting started.


 

DOUBLE TAKE
(2004)
by Billy Branch & Kenny Neal
Alligator Records

"...delivers a set of country blues that might just renew your faith in the eternal verities...stunningly gorgeous"

Prendi due bluesmen acclamati dalla critica, mettili insieme in uno studio di registrazione, premi "Record" e ascolta la magia che ne viene fuori, questo è "Double Take".

Registrato in Francia nel 1998 è un magnifico album acustico dove Neal e Branch pagando un tributo ai musicisti del passato, aprono la strada per il futuro senza compromessi del blues.


 
LIVE
(2004)


 

TRIBUTE TO SLIM HARPO & RAFUL NEAL
(2005)
By True Life

On this album titled Kenny Neal: A Tribute to Slim Harpo, Neal takes his expertise in Swamp and Electric Blues and weaves a modern, yet boisterous musical yarn through the delicate fabric of Harpo original notes and creates a brand new wave pattern of the Blues genre in the process.


 
LET LIFE FLOW
(2008)
By Blind Pig Records


 
HOOKED ON YOUR LOVE (2010)
By Blind Pig Records



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