“The
string magic of the front man fascinates.” Rolling Stone As many a
mainlander will tell you, if you want to make a success
of yourself, you have to do it away. Unless, of course,
you’re a Caper and your heart and soul
are inextricably tied to the land for reasons that no outlander
could ever comprehend.
Despite the fact that Cape Breton
is a hotbed of traditional Celtic music with its high energy
fiddle-playing and step-dancing, John Campbelljohn focused
his energies in other directions.
Learning his first guitar
chords at age 14 from his steel-working Dad, Chas, it was
hearing the first strains of Duane Allman’s “Statesboro
Blues” at a high school dance that set him on a course
from which there was no return. Learning slide guitar became
Campbelljohn’s sole obsession. Step dancing could
wait.
He, in truth, had been spoken to by the blues and he responded
in kind, injecting his music with the same sense of frenetic
energy, raw emotionalism and pile-driving rhythms that
fire the regions rich legacy of Celtic fare.
Musically,
Campbelljohn covers a lot of ground – his is an eclectic
grasp of the blues grounded in the subtleties of Fred McDowell,
Son House and Earl Hooker, yet channeled through a stylistic
bisque that name-checks the mastery of Sonny Landreth,
Duane Allman and Johnny Winter.
Depending on the muse,
he can veer off into territory that embraces reggae, roots-rock
and (with the help of his pedal steel) pure country. Yet
the core of his sound is a sophisticated, well-informed
and progressive definition of the blues. He may follow
a slightly different path than that taken by his tartan-clad
brethren but the “guts” inherent in the Cape
Breton sound remain true-to-form and Campbelljohn’s
unique calling card no matter where his travels take him.
The
distinctiveness of his sound has been applauded and appreciated
from Sydney to Stuttgart. In fact, his reputation abroad
has blossomed into a German label contract on the Taxim
label.
John released his debut in ’93 and, as his originality
begged immediate attention, with accolades pouring in across
the next six releases: Blues Artist
of the Year, Guitarist of the Year, Slide Guitarist of
the Year.
Regular nominations
and a mantle-full of awards – as well as constant
recognition and critical praise for both his recordings
and his live performances – keep him in the limelight
and feed his soul but, in true Maritime tradition, he prefers
to further refine his craft in a self-driven quest for
perfectionism that comes with the territory. Not content
to be revered for the originality of his songwriting, his
celebrated slide skills, his cut-to-measure vocals and
his fan-friendly stage prowess, Campbelljohn can now add
pedal steel guitar to his already sizable arsenal. At the
same time, he is amping up his home recording capabilities
to lay down his more adventurous ideas at his convenience
as well as offer help to up-and-coming talent in search
of hands-on direction.
John Campbelljohn is an exceptional blues musician
with great instincts, tastefully concise solos and a no-nonsense
approach to giving his fans
the good times they not only deserve – but have come
to expect. John Campbelljohn is one nose-to-the-grindstone
artist who is rarely satisfied with doing his absolute
best and it is this very drive and ambition which keeps
him in the foreground.
John Campbelljohn: front man; sideman; consummate showman;
proud Cape Bretoner; Canadian bluesman.
He’s redefined
success at home and away.
And – thankfully – there’s still no sign
of his step-dancing.
Line-up: John CAMPBELL - Guitar, pedal steel, vocals
Neil ROBERTSON - Drums Perry Andrew LAMBERT - Bass
Discography
HOW
DOES IT FEEL? (1993)
NOODRecords Canada
It's the album of debut and, as his originality
begged immediate attention, with accolades pouring in
across the next six releases: Blues Artist of
the Year, Guitarist of the Year, Slide Guitarist of the
Year.
UNDER THE BLUES COVERS(1995)
NOODRecords Canada
HOOK SLIDE
& SINKER(1999)
NOODRecords Canada
Taxim/Hermans Records Germany
NERVES OF STEEL (2001)
NOODRecords Canada
Taxim/Hermans Records Germany
THE WORLD IS CRAZY“Live
In Germany”(2004)
Taxim/Hermans Records Germany
WEIGHT OF THE WORLD(2006)
NOODRecords Canada
Taxim/Hermans Records Germany
"...On Weight Of The World, John’s ability
to adapt the pedal steel to his driving tunes, complete
with the gritty vocals and “cut-to-the-chase” songwriting,
makes him a unique force on the Canadian Blues Scene…and
a must-see live!" Mark Roberts - East Coast Music Show
OFFICIAL BOOTLEG (2007) ZYX / Pepper Cake
GOOD TO GO (2009) ZYX / Pepper Cake
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